This section gathers everything that sustains the spectacle without, necessarily, occupying the center of the frame. Here the focus is on aesthetics, objects, creative solutions, and the resources that shaped the audiovisual experience over time.
In the CineArte Vintage series, the focus shifts to the graphic art of cinema —posters and images designed to seduce even before the screening begins. In Legendary Machines, we revisit cars, robots, and other machines that earned a central place in stories and the audience's imagination, becoming affective references as striking as the characters themselves. Meanwhile, Long before CGI explores the tricks, effects, and visual solutions conceived when imagination had to compensate for the absence of digital tools.
Together, these series treat what is usually seen as an accessory not as a behind-the-scenes curiosity, but as an essential language of the audiovisual world.
CineArte Vintage
| Title | Author | Date |
|---|---|---|
|
Posters from 1915 |
Marcelo Amado | February 26, 2026 |
|
Posters from 1914 |
Marcelo Amado | January 30, 2026 |
|
Posters from 1913 |
Marcelo Amado | January 20, 2026 |
| Posters from 1910 to 1912 | Marcelo Amado | January 13, 2026 |
|
Posters from 1895 to 1909 |
Marcelo Amado | January 06, 2026 |
Legendary Machines
| Title | Author | Date |
|---|---|---|
|
General Lee, the star of The Dukes of Hazzard |
Marcelo Amado | February 20, 2026 |
|
Black Beauty — The Green Hornet |
Marcelo Amado | February 07, 2026 |
| GMC Vandura: a childhood dream | Marcelo Amado | January 24, 2026 |
| The Vehicles of the Ultraman | Marcelo Amado | January 10, 2026 |
Long Before CGI
| Title | Author | Date |
|---|---|---|
|
Land of the Lost (1974-1977) |
Marcelo Amado | February 25, 2026 |
|
Le Voyage dans la Lune (1902) |
Marcelo Amado | February 02, 2026 |
|
Long Before CGI: Introduction |
Marcelo Amado | January 27, 2026 |